ROLAND CULVER

(21 août 1900, Londres, Angleterre, UK)

(1er mars 1984, Henley-on-Thames, Oxfordshire, Angleterre, UK)

 

 

 

 

 

 

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1931.

77 PARK LANE (DU CREPUSCULE A L’AUBE) / ALBERT DE COURVILLE

FASCINATION / MILES MANDER

1932.

LOVE ON WHEELS (TOUT EN MUSIQUE) / VICTOR SAVILLE

C.O.D. / MICHAEL POWELL

THERE GOES THE BRIDE / ALBERT DE COURVILLE

HER FIRST AFFAIRE / ALLAN DWAN

MARRY ME / WILHELM THIELE

1933.

PUPPETS OF FATE / GEORGE A. COOPER

HER IMAGINERY LOVER / GEORGE KING

HEAD OF THE FAMILY / JOHN DAUMERY

MAYFAIR GIRL / GEORGE KING

1934.

LUCKY LOSER / REGINALD DENHAM

TWO HEARTS IN WALTZ TIME (DEUX CŒURS UNE VALSE) / CARMINE GALLONE, JOE MAY

NELL GWYNN (LA FAVORITE DU ROI) / HERBERT WILCOX

FATHER AND SON / MONTY BANKS

THE SCOOP / MACLEAN ROGERS

BORROW A MILLION / REGINALD DENHAM

1935.

OH, WHAT A NIGHT / FRANK RICHARDSON

1936.

EVERYBODY DANCE (TOUT LE MONDE DANSE ou LADY KATE) / CHARLES REISNER

CRIME OVER LONDON (CRIME A LONDRES) / ALFRED ZEISLER

ACCUSED (ACCUSEE ou DANGER D’AIMER) / THORNTON FREELAND

1937.

PARADISE FOR TWO (PARADIS POUR DEUX) / THORNTON FREELAND

1939.

BLIND FOLLY / REGINALD DENHAM

1940.

FRENCH WITHOUT TEARS (EN FRANÇAIS… MESSIEURS ou L’ECURIE WATSON) / ANTHONY ASQUITH

GIRL IN THE NEWS (LE DERNIER TEMOIN) / CAROL REED

NIGHT TRAIN TO MUNICH (TRAIN DE NUIT POUR MUNICH) / CAROL REED

1941.

OLD BILL AND SON / IAN DALRYMPLE

FINGERS / HERBERT MASON

QUIET WEDDING (MARIAGE SANS HISTOIRES) / ANTHONY ASQUITH

THIS ENGLAND / DAVID MACDONALD

1942.

ONE OF OUR AIRCRAFTS IS MISSING (UN DE NOS AVIONS N’EST PAS RENTRE) / MICHAEL POWELL, EMERIC PRESSBURGER

THE DAY WILL DAWN (RIPOSTE A NARVIK ou LA REVANCHE) / HAROLD FRENCH

UNPUBLISHED STORY / HAROLD FRENCH

THE FIRST OF THE FEW (SPITFIRE) / LESLIE HOWARD

SECRET MISSION (SERVICE SECRET) / HAROLD FRENCH

TALK ABOUT JACQUELINE / HAROLD FRENCH, PAUL L. STEIN

1943.

THE LIFE AND DEATH OF COLONEL BLIMP (COLONEL BLIMP) / MICHAEL POWELL, EMERIC PRESSBURGER

DEAR OCTOPUS / HAROLD FRENCH

1944.

ON APPROVAL / CLIVE BROOK

ENGLISH WITHOUT TEARS / HAROLD FRENCH

GIVE US THE MOON / VAL GUEST

1945.

DEAD OF NIGHT (AU CŒUR DE LA NUIT) / ALBERTO CAVALCANTI, CHARLES CRICHTON, BASIL DEARDEN, ROBERT HAMER

PERFECT STRANGERS (ENTRACTE AU MARIAGE) / ALEXANDER KORDA

1946.

TO EACH HIS OWN (A CHACUN SON DESTIN) / MITCHELL LEISEN

WANTED FOR MURDER (RECHERCHE POUR MEURTRE) / LAWRENCE HUNTINGTON

1947.

SINGAPORE (SINGAPOUR) / JOHN BRAHM

DOWN TO EARTH (L’ETOILE DES ETOILES) / ALEXANDER HALL

1948.

THE EMPEROR WALTZ (LA VALSE DE L’EMPEREUR) / BILLY WILDER

ISN’T IT ROMANTIC ? (LES FILLES DU MAJOR) / NORMAN Z. MCLEOD

1949.

THE GREAT LOVER (DON JUAN DE L’ATLANTIQUE) / ALEXANDER HALL

1950.

TRIO / KEN ANNAKIN, HAROLD FRENCH

1951.

THE LATE EDWINA BLACK (LA PROIE DU DOUTE) / MAURICE ELVEY

HOTEL SAHARA / KEN ANNAKIN

ENCORE / PAT JACKSON, ANTHONY PELISSIER, HAROLD FRENCH

THE MAGIC BOX (LA BOITE MAGIQUE) / JOHN BOULTING

1952.

THE HOUR OF 13 (LA TREIZIEME HEURE) / HAROLD FRENCH

FOLLY TO BE WISE / FRANK LAUNDER

THE HOLLY AND THE IVY / GEORGE MORE O’FERRALL

1953.

ROUGH SHOOT (COUP DE FEU AU MATIN) / ROBERT PARRISH

1954.

BETRAYED (VOYAGE AU-DELA DES VIVANTS) / GOTTFRIED REINHARDT

THE TECKMAN MYSTERY / WENDY TOYE

1955.

THE MAN WHO LOVED REDHEADS (L’HOMME QUI AIMAIT LES ROUSSES) / HAROLD FRENCH

THE SHIP THAT DIED OF SHAME (LE BATEAU QUI MOURUT DE HONTE) / BASIL DEARDEN

TOUCH AND GO (CE QUE CHAT VEUT) / MICHAEL TRUMAN

AN ALLIGATOR NAMED DAISY (UN ALLIGATOR NOMME DAISY) / J. LEE THOMPSON

1956.

SAFARI / TERENCE YOUNG

1957.

THE HYPNOTIST / MONTGOMERY TULLY

LIGHT FINGERS / TERRY BISHOP

THE VICIOUS CIRCLE (SCOTLAND YARD JOUE ET GAGNE) / GERALD THOMAS

THE TRUTH ABOUT WOMEN (LA VERITE SUR LES FEMMES) / MURIEL BOX

1958.

BONJOUR TRISTESSE / OTTO PREMINGER

NEXT TO NO TIME (L’HEURE AUDACIEUSE) / HENRY CORNELIUS

ROCKETS GALORE (FUSEES A GOGO) / MICHAEL RELPH

1962.

A PAIR OF BRIEFS / RALPH THOMAS

TERM OF TRIAL (LE VERDICT) / PETER GLENVILLE

THE IRON MAIDEN (UN BEAU CHASSIS) / GERALD THOMAS

1964.

THE YELLOW ROLLS-ROYCE (LA ROLLS-ROYCE JAUNE) / ANTHONY ASQUITH

1965.

THUNDERBALL (OPERATION TONNERRE) / TERENCE YOUNG

1966.

A MAN COULD GET KILLED (D POUR DANGER) / RONALD NEAME, CLIFF OWEN

1969.

IN SEARCH OF GREGORY (A LA RECHERCHE DE GREGORY) / PETER WOOD

THE MAGIC CHRISTIAN (UN BEATLE AU PARADIS) / JOSEPH MCGRATH

1970.

FRAGMENT OF FEAR (LE TUNNEL DE LA PEUR) / RICHARD C. SARAFIAN

THE RISE AND RISE OF MICHAEL RIMMER / KEVIN BILLINGTON

1972.

TO ENCOURAGE THE OTHERS / ALAN CLARKE (TV)

1973.

BEQUEST TO THE NATION / JAMES CELLAN JONES

THE LEGEND OF HELL HOUSE (LA MAISON DES DAMNES) / JOHN HOUGH

THE MACKINTOSH MAN (LE PIEGE) / JOHN HUSTON

1973.

NO LONGER ALONE / NICHOLAS WEBSTER

1975.

LLOYD GEORGE KNEW MY FATHER / JOHN JACOBS (TV)

1977.

THE UNCANNY (BRRR… ou LES CHATS DU DIABLE) / DENIS HEROUX

1978.

THE GREEK TYCOON (L’EMPIRE DU GREC) / J. LEE THOMPSON

1979.

SAINT JOAN / JANE HOWELL (TV)

1980.

ROUGH CUT (LE LION SORT SES GRIFFES) / DON SIEGEL

NEVER NEVER LAND / PAUL ANNETT

THE DOUBLE DEALER / PETER WOOD (TV)

1982.

THE HUNCHBACK OF NOTRE DAME / MICHAEL TUCHNER (TV)

BRITANNIA HOSPITAL / LINDSAY ANDERSON

THE MISSIONARY (DROLE DE MISSIONNAIRE) / RICHARD LONCRAINE