PRESTON FOSTER

(24 août 1900, Pitman, New Jersey, USA)

(14 juillet 1970, La Jolla, Californie, USA)

  

 

 

 

 

 

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1929.

NOTHING BUT THE TRUTH / VICTOR SCHERTZINGER

1930.

HEADS UP / VICTOR SCHERTZINGER

FOLLOW THE LEADER / NORMAN TAUROG

1931.

HIS WOMAN (SA FEMME) / EDWARD SLOMAN

1932.

TWO SECONDS (DEUX SECONDES) / MERVYN LE ROY

DOCTOR X (DOCTEUR X) / MICHAEL CURTIZ

THE LAST MILE (REVOLTE A SING SING) / SAMUEL BISCHOFF

LIFE BEGINS (LA VIE COMMENCE) / JAMES FLOOD

THE ALL-AMERICAN / RUSSELL MACK

I AM A FUGITIVE FROM A CHAIN GANG ( JE SUIS UN EVADE ) / MERVYN LE ROY

YOU SAID A MOUTHFUL (A TOUR DE BRASSES) / LLOYD BACON

1933.

SENSATION HUNTERS (CHASSEURS DE SENSATIONS) / CHARLES VIDOR

LADIES THEY TALK ABOUT / HOWARD BRETHERTON, WILLIAM KEIGHLEY

ELMER THE GREAT (LE POSEUR) / MERVYN LE ROY

DANGEROUS CROSSROADS (CROISEMENT DANGEREUX) / LAMBERT HILLYER

CORRUPTION / CHARLES E. ROBERTS

THE MAN WHO DARED / HAMILTON MACFADDEN

THE DEVIL’S MATE (LA FLECHE EMPOISONNEE) / PHIL ROSEN

HOOPLA (HOUP LA) / FRANK LLOYD

1934.

HEAT LIGHTNING (ECLAIR DE CHALEUR) / MERVYN LE ROY

WHARF ANGEL (L’ANGE DU PORT) / WILLIAM CAMERON MENZIES, GEORGE SOMNES

SLEEPERS EAST / KENNETH MACKENNA

THE BAND PLAYS ON / RUSSELL MACK

1935.

STRANGERS ALL (DROLE DE FAMILLE) / CHARLES VIDOR

THE PEOPLE’S ENEMY / CRANE WILBUR

THE INFORMER ( LE MOUCHARD ) / JOHN FORD

THE ARIZONIAN / CHARLES VIDOR

THE LAST DAYS OF POMPEII (LES DERNIERS JOURS DE POMPEI) / ERNEST B. SCHOEDSACK

ANNIE OAKLEY ( LA GLOIRE DU CIRQUE ) / GEORGE STEVENS

WE’RE ONLY HUMAN (CE N’ETAIT QU’UN HOMME) / JAMES FLOOD

1936.

MUSS’EM UP (DOUILLES 25-35) / CHARLES VIDOR

LOVE BEFORE BREAKFAST (CE QUE FEMME VEUT) / WALTER LANG

THE PLOUGH AND THE STARS (REVOLTE A DUBLIN) / JOHN FORD

1937.

WE WHO ARE ABOUT TO DIE (PRISON D’HOMMES) / W. CHRISTY CABANNE

SEA DEVILS (LES DEMONS DE LA MER) / BEN STOLOFF

THE OUTCASTS OF POKER FLAT (LA VILLE DE L’OR) / W. CHRISTY CABANNE

YOU CAN’T BEAT LOVE / W. CHRISTY CABANNE

THE WESTLAND CASE (LE MEURTRE DE WESTLAND) / W. CHRISTY CABANNE

FIRST LADY / STANLEY LOGAN

1938.

EVERYBODY’S DOING IT (FOLIES EN CASCADES) / W. CHRISTY CABANNE

DOUBLE DANGER / LEW LANDERS

THE LADY IN THE MORGUE (UNE FEMME DANS LA MORGUE) / OTIS GARRETT

ARMY GIRL / GEORGE NICHOLS JR

THE STORM (TEMPETE) / HAROLD YOUNG

SUBMARINE PATROL (PATROUILLE EN MER) / JOHN FORD

UP THE RIVER / ALFRED L. WERKER

THE LAST WARNING (LE DERNIER AVERTISSEMENT) / ALBERT S. ROGELL

1939.

SOCIETY SMUGGLERS (GENTLEMEN CAMBRIOLEURS) / JOE MAY

CHASING DANGER / RICARDO CORTEZ

NEWS IS MADE AT NIGHT (EDITION DE MINUIT) / ALFRED L. WERKER

20 000 MEN A YEAR (LES AIGLONS) / ALFRED E. GREEN

MISSING EVIDENCE / PHIL ROSEN

GERONIMO (GERONIMO LE PEAU-ROUGE) / PAUL SLOANE

1940.

CAFE HOSTESS / SIDNEY SALKOW

NORTH WEST MOUNTED POLICE (LES TUNIQUES ECARLATES) / CECIL B. DE MILLE

MOON OVER BURMA (NUITS BIRMANES) / LOUIS KING

1941.

THE ROUNDUP (CONTREBANDE AU TEXAS) / LESLEY SELANDER

UNFINISHED BUSINESS (HISTOIRE INACHEVEE) / GREGORY LA CAVA

1942.

SECRET AGENT OF JAPAN (SHANGHAI, NID D’ESPIONS) / IRVING PICHEL

A GENTLEMAN AFTER DARK (L’HOMME A L’HELIOTROPE) / EDWIN L. MARIN

NIGHT IN NEW ORLEANS (UNE NUIT A NEW ORLEANS) / WILLIAM CLEMENS

LITTLE TOKYO, USA / OTTO BROWER

THUNDER BIRDS: SOLDIERS OF THE AIR (PILOTES DE CHASSE) / WILLIAM WELLMAN

AMERICAN EMPIRE (FAR WEST) / WILLIAM MCGANN

1943.

MY FRIEND FLICKA (MON AMIE FLICKA) / HAROLD SCHUSTER

GUADALCANAL DIARY (GUADALCANAL) / LEWIS SEILER

1944.

BERMUDA MYSTERY (MYSTERE AUX BERMUDES) / BEN STOLOFF

ROGER TOUHY, GANGSTER (id.) / ROBERT FLOREY

1945.

THUNDERHEAD – SON OF FLICKA (JUPITER) / LOUIS KING

THE VALLEY OF DECISION (LA VALLEE DU JUGEMENT) / TAY GARNETT

TWICE BLESSED / HARRY BEAUMONT

BUD ABBOTT AND LOU COSTELLO IN HOLLYWOOD (DEUX NIGAUDS A HOLLYWOOD) / S. SYLVAN SIMON

1946.

THE HARVEY GIRLS (LES DEMOISELLES HARVEY) / GEORGE SIDNEY

TANGIER (TANGER) / GEORGE WAGGNER

STRANGE TRIANGLE / RAY MCCAREY

INSIDE JOB / JEAN YARBROUGH

1947.

RAMROD (FEMME DE FEU) / ANDRE DE TOTH

KING OF THE WILD HORSES (ROYAL, L’ETALON BAGARREUR) / GEORGE ARCHAINBAUD

1948.

THE HUNTED (L’EMPRISE) / JACK BERNHARD

THUNDERHOOF (L’ETALON SAUVAGE ou LE CHEVAL INDOMPTE) / PHIL KARLSON

1949.

I SHOT JESSE JAMES (J’AI TUE JESSE JAMES) / SAMUEL FULLER

THE BIG CAT (LE CHAT SAUVAGE) / PHIL KARLSON

1950.

THE TOUGHER THEY COME (FORET EN FLAMMES) / RAY NAZARRO

1951.

THREE DESPERATE MEN (LA FURIE DE L’OUEST) / SAM NEWFIELD

TOMAHAWK / GEORGE SHERMAN

THE BIG GUSHER / LEW LANDERS

THE BIG NIGHT (LA GRANDE NUIT) / JOSEPH LOSEY

1952.

MONTANA TERRITORY (COLT AU POING) / RAY NAZARRO

KANSAS CITY CONFIDENTIAL (LE QUATRIEME HOMME) / PHIL KARLSON

1953.

LAW AND ORDER (QUAND LA POUDRE PARLE) / NATHAN JURAN

THE MARSHAL’S DAUGHTER / WILLIAM BERKE

I, THE JURY (J’AURAI TA PEAU) / HARRY ESSEX

1957.

DESTINATION 60 000 (DESTINATION 60 000 PIEDS) / GEORGE WAGGNER

1963.

THE MAN FROM GALVESTON (L’HOMME DE GALVESTON) / WILLIAM CONRAD

1964.

ADVANCE TO THE REAR (LE BATAILLON DES LACHES) / GEORGE MARSHALL

THE TIME TRAVELERS / IB MELCHIOR

1967.

YOU’VE GOT TO BE SMART / ELLIS KADISON

CHUBASCO (CHUBASCO LE REBELLE) / ALLEN H. MINER